In a shocking turn of events, the dark underbelly of the anime industry has been exposed with the hospitalisation of Hokuto Sadamoto, the director responsible for the latest set of episodes in Jujutsu Kaisen Season 2.
This latest development sheds a disconcerting light on the exploitative working conditions and relentless schedules faced by animators at MAPPA - one of Japan's leading animation studios - and raises urgent questions about the well-being of those responsible for bringing beloved anime to life.
Sadamoto's recent breakdown on X is a depressing testament to the tremendous pressures faced by animators and directors. His revelation provides a harrowing glimpse into the deceptive practices within the industry.
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In a heartfelt X post, Sadamoto expressed his dissatisfaction with the work, stating, "Everyone is not trash like me… I'll make up for it in my future work. Until then, I will live my life as the worst animator who has ruined a masterpiece."
The admission not only speaks to Sadamoto's personal struggle but also highlights the toll on animators who, despite their dedication, find themselves caught in the crossfire of an industry notorious for its demanding work culture.
As recently as this morning, Sadamoto has taken to X to post a series of concerning updates regarding his hospitalisation, accompanied with images of hospital drips.
His admission, "I was so scared of this that I couldn't go to the hospital," reflects the pervasive fear within the industry that seeking medical attention may jeopardise one's standing or job security.
Further tweets revealed the extent of Sadamoto's physical and emotional distress.
Describing the doctor's reaction as "It's already too late," he painted a chilling picture of the toll on his health. "I don't want to die," he candidly shared, exposing the profound impact of the industry's demands on mental well-being.
The admission, "I almost passed out in the taxi on the way to the hospital," also provides a stark illustration of the physical toll of the industry's demanding schedules and the revelation of his entire lung being affected with the risk of potential heart failure underscore the severity of his condition.
But what makes it worse is his latest tweet absolving MAPPA Studios of any blame, seemingly taking the onus of responsibility upon himself entirely.
Sadamoto's hospitalisation is not an isolated incident but rather a symptom of an industry grappling with exploitative practices that compromise the health and creativity of its talent.
In the wake of this crisis, industry stakeholders, fans, and creators alike are left grappling with a fundamental question: how can one of Japan's premier animation studios, responsible for bringing joy to millions worldwide, continue to operate in a manner that jeopardises the very lives of those crafting these animated masterpieces?