Godzilla Minus One isn't just your everyday monster flick; it's a cinematic kaiju juggernaut that's stomped its way into the hearts of audiences worldwide, leaving a trail of $57 million in its wake and collecting more nominations than your average Hollywood A-lister. But what are it's chances at the Oscars this season?
Directed, written, and featuring visual effects by Takashi Yamazaki, the latest adaptation of the iconic giant has emerged as a cinematic powerhouse, grossing over $57 million globally and garnering significant recognition in the form of nineteen award nominations. The 2023 Japanese epic kaiju film, produced by Toho Studios and Robot Communications, has made a substantial impact on the cinematic landscape, firmly establishing itself as a dominant force.
The film, the 37th installment in the Godzilla franchise and the fifth in the Reiwa era, explores postwar Japan grappling with the re-emergence of Godzilla. Drawing inspiration from the original 1954 Godzilla film and other cinematic classics such as Jaws and works by Hayao Miyazaki, Yamazaki carefully crafted the script over three years, infusing the narrative with depth and social commentary.
Godzilla Minus One premiered at the Shinjuku Toho Building on October 18, 2023, and closed the 36th Tokyo International Film Festival on November 1.
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Critics weren't immune to the monster's charm either. Yamazaki's wizardry with a shoestring budget, the emotional rollercoaster of human drama, and the kaiju metaphor for social commentary left reviewers reaching for superlatives.
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Notable figures in the film industry, including Hideaki Anno, Gareth Edwards, Michael Dougherty, Hideo Kojima, and Eiichiro Oda, have showered praise on Godzilla Minus One for its technical prowess, emotional depth, and its place among the best Godzilla movies of all time.
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Not content with just box office domination, Godzilla Minus One is making its mark in the award circuit.
Nominated 19 times at nine different award bodies including,
the film has secured 4 wins thus far, including Best Visual Effects at the Chicago Film Critics Association Awards, Best Picture at the Hochi Film Awards, and Best Horror/Sci-Fi Movie and Best International Movie at the Las Vegas Film Critics Society Awards.
The film is now also a finalist for the Best Visual Effects category at the Oscars, beating the likes of Christopher Nolan’s Oppenheimer in the process.
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Given its indomitable theatrical run in the United States and different parts of the world, as well as universal critical acclaim, the micro-budget blockbuster might just have a shot at the 96th Academy Awards as a dark horse, underdog contender; given the competition it faces comes from the likes of worn-out Marvel flicks that have suffered a severe loss of interest this year.
A nod, and perhaps an eventual win would look fantastic on the Oscar’s track record and would go down in history as one of the finest wins in the category. It would also make it the first Japanese film to ever win in the category as well as the first Godzilla film to ever win an Oscar
The only real threat that the film may face is Spider-Man: Across the Spider-Verse and Netflix’s Society of the Snow - both similar contenders that stand just as much of a chance to be nominated and even go on to claim the prize.
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As the kaiju-sized hype continues to build, here’s hoping that Gojira makes a much deserved appearance at the Oscars this season.